Back in the mid-90's Kim began writing impromptu reviews of church music CDs (worship music) so that people who were looking for CDs would have an opinion from someone who is also a worship leader and is garnering music for local church use. Up to this point, this was rarely something that was done, because church music was revered as sacred and it was thought that any offering of that sacred worship shouldn't be criticised or evaluated. In fact, Kim wasn't as much a critic as he was an evaluator, helping people find what fit their church. He began posting his reviews on line in a email discussion forum, called the Worship List (website). After a while, when he helped launch Worshipmusic.com, he continued that same concept of trying to help other local church worship leaders and musicians find music that might be applicable to their situations. The reviews continued to be a part of that. Worshipmusic.com went on to grow a staff of writers that would add many more reviews to the collection they have, but Kim continued to participate as a key reviewer. This journal logs all the reviews Kim has written on worship music CDs and projects.
Kim's reviews of CD projects of worship music includes independents, label and main stream recordings, but all having to do with worship music.
Friday, August 17, 2007 at 6:37PM 
Over the years, reading and growing in the words of life given to us from the Scripture has been a combination of desire, delight and duty. Like many people, I am sure, enjoying the encouragement of the bible text is not a constant level of delight. Sometimes we continue in the word, simply because we are instructed by the Lord and the Bible itself to do so. Eventually, our duty turns to desire and then delight.
Along the way through that ongoing progression of our devotional lives, it is encouraging to have inspiration from the Lord come through other sources. One such source is scripture in music. If we were to trace the history of modern day Christian music (not just worship music, but even contemporary Christian music- CCM) we would find much of its origins in small publishing company called 'Scripture In Song'. From that company in the late 60's/early 70's (and other like sources) grew much of what we have today in praise and worship. There was a reason for the potency and application of those songs-- they allowed the authentic follower of Christ to draw in the God-breathed words of Scripture through their minds and emotions-- through words and music. It is that same strength that Heather Clark draws on to continue the 'Praying the Bible' series of projects with her latest CD 'Selah 2 - Like Men Who Dreamed'.
Using the Psalms as the base, she adds her signature vocals and growing musical palette to develop melody and vibe to a number of songs of the Psalms. It is suprising to me that this powerful combination seems somewhat lacking as a general rule through most praise and worship projects. But this CD certainly adds a wonderful example for all of us byt taking good music and melody writing skills and partnering them to the skill of the lyric writers in the Psalms.
You will find these not only resourceful as praise and worship materials, but you will be reciting Scripture joyfuly, as these infectious melodies work their way into your mind and heart.
What is great is that you can check out a number of the songs online by listening to some audio samples yourself. I think you will find, as I did, that scripture in song is alive and well, and has some heart and passion! See the above sound clips to hear it yourself!
Product Link Selah 2 - Like Men Who Dreamed
Selah!
Kim Gentes
Thursday, August 16, 2007 at 2:02PM 
When Kingsway songs and albums from Matt Redman, Delirious and Tim Hughes began flooding across the Atlantic to the US, it was a blissful time of music discovery for many in America. Here was some progressive rock sounds that held values of praise and worship as their core lyric content. During that time, there was no more surprising and innovative album that "King Of Fools", the sophomore release from Delirious?.
On initial introduction, many churches who had been receptive to the "Cutting Edge" project and Redman's "Heart of Worship". found "King of Fools" to be too progressive for their local church music repetoire. And indeed it was lightyears ahead of most chorus-filled praise and worship band repetoires or music skill. The layered U2-esque and washy sounds of multi-electric guitar arrangements, added to pop vocals of Martin Smith and intricate rhythmic progressions of drummer Stew Smith were for full-on, radio-ready bands, not Sunday morning ensembles.
That said, "King of Fools" was one of the absolute best musical treatments of the modern worship genre. While the songs were slower to gain acceptance from general Sunday morning church, youth groups were quick to begin using this amazing cache of songs. The slamdunk favorite of this album was Deeper, which was a plaintiff cry with great pop motif, infectious melody and musical groove. Youthful lyrics that hinted whimsically at Biblical allusion while being passionately a human prayer. Deeper, along with White Ribbon Day, where both released to general market UK as singles and reached #20 and #41 respectively, a huge landmark. This was not a tiny dent in a Christain market- it was the beginning of a legitimate rock band in the general UK market, making chart noise with blatantly Christian lyrics, even worship lyrics.
Beyond the commercial, radio and industry accolodates, listening to Delirious? on their "King of Fools" release is such a blissful journey, it became a long time favorite of mine personally. In this 13 track epistle, Smith and co., communicate with some of the best written lyrics in all of Christian pop music. Combined with Stu Garrard's guitars, ethereal and crisp keys of Tim Jupp, brilliant drumming of the aforementioned Stew Smith, and the extended range of Martin Smith's haunting vocals, every track on the album is a keeper. No kidding, really! There isn't a single bad song on this project. What is beautiful about this album is the range it crosses in its progression. From wall of sound, washing reverberations in Sanctify, Promise, King or Cripple to pop-anthems like Deeper, Revival Town, Louder Than The Radio and History Maker to gallant balads like White Ribbon Day and August 30th to pensive prayers of Hands of Kindness and What a Friend I've Found.
It is almost impossible to pick a favorite tune on this project, but if forced to, I can list my top 3 songs from this album: Deeper, White Ribbon Day, and What A Friend I've Found. These three very different songs reflect the skill, lyrical genuis and musical diversity that Delirious? brought fresh into Christian music and birthed in the modern worship movement.
If you don't have this album, get it. It's that simple. An unbelievable album in every respect.
Product Link : King of Fools (MP3 Album) and King of Fools (Songbook)
Review by Kim Gentes
deeper, delirious, furious, history maker, king of fools, kingsway, martin smith, revival town, stu g, stu garrard, uk, worship in CD Review, Music Review, Single Song 