Kim Gentes

After over 15 years of reviewing worship music I've realized that there are often two types of exceptional worship projects: a) an amazing production with radio-singable songs and great singles for iTunes; or b) a great worshipful album with congregational singable songs that are accessible for the church worldwide. Normally, those two categories are mutually exclusive and only a very few worship albums ever combined both elements. Finding both was rare and exceptional, such as Tomlin's breakout "Arriving", Third Day's first "Offerings" album, and some of the new tracks from the live Jesus Culture albums.

Then came, "The Same Love", the newest album from Paul Baloche.  Before I decided to review the album, I had heard (and purchased) the title cut, which was released a few weeks before the album finally released April 3. The title cut was such a captivating track, I was very interested in pursuing listening to the full album. But rather than sitting down and listening to the complete project 5-6 times to soak in the songs, I decided to review the project in a way I've never done before. 

Before listening the album, I grabbed my guitar, capo and pick. I went into my office, turned on my computer, and logged into Worshipteam.com.  I found all the songs with chord charts and audio. Then, I went through the album in real-time, with the charts in front of me, playing along. My first experience with the album was listening, playing along, learning, singing and worshiping my way through all 13 songs.  It was an absolutely wonderful experience!

More than anything else, I was taken by surprise at the combination of exceptional songwriting and prestine performance that was merged with accessible, great congregational worship songs. I am an average guitar player and with a reasonable tenor voice and range. I was able to sing, play and worship right along with literally every song on the album. I didn't have to change the key of any song on the album to sing along, and yet every song had great musical balance and tightness to its presentation.

But once I went through the album once, I couldn't stop. I kept playing and repeating through the album, playing along, worshiping and even picking out songs I will add to my repeteroire as a worship leader.  And this is the power of this album- you will find a lot here that is useful for your local church! Having gone through the album this way, I write this review with no reservations or apologies. Let me highlight for you the songs that rivetted my attention and might yours.

Of course, the title track "The Same Love" is the standout favorite.  This song is so singable, so well written, and so well produced that it belongs alongside the very best songs written in the last 10 years. Paul does what he has become so proficient at- creating an infectious melody around substantial, theologically rich lyrics whose purpose is connecting the power of "the same God that spread the heavens wide" with the humble humanity of each of us whom he has come to "set the captives free" and "opened eyes to see". What ties this song together is the parallel balances of "The same love" (God) offers his invitation by entreating us as His children by "calling us all by name". I could spend paragraphs trying to expound the theological richness of this truth, but Paul Baloche and co-writer Michael Rossback have done the artful work of teaching us one of the main meta-narratives of scripture in a single great song, summed up best by the last half of the brilliant chorus:

The same God that spread the heavens wide

The same God that was crucified

Is calling us all by name, You are calling us all by name

And this is precisely Paul's writing gift, as it has been for years- he marries God's immanence and transcendence in a harmony that only music and lyrics can provide.

This glorious effort continues with the second track titled "We Are Saved". Co-written with Hillsong's Ben Fielding and Jason Ingram, this song reminds you quickly of a Hillsong United anthem, with deep pocketed chorus and a resounding bridge to vamp the song into another level. Another great track.

"King of Heaven" is a prayer call in the "maranatha" tradition (in the sense of actual biblical usage of the Aramaic word, not any reference to the music company)- the song lyrics are a call for Jesus to come down both now and future as in "King of heaven come down". The arrangement is a bit of straight rock mixed with meandering banjo overlays, all treated to the sweet-dry harmonies of 'All Sons and Daughters' duo Leslie Jordan and David Leonard. Think worship rock meets 'O Brother Where Art Thou'. Blissful!

Robert Lowry's "Nothing But the Blood" is the foundation of track four's "All Because of the Cross", which adds a nod to "Oh the Blood of Jesus" in the arrangement as well. Track five follows theme and empties out the sonic pallet with piano and cello guiding the song gently to its pensive place as a song perfect for communion called "Your Blood Ran Down".

Next, Paul (along with Ed Kerr) mines another classic hymn with "My Hope", drawing from Edward Mote's "My Hope Is Built (The Solid Rock)" in various stanzas.  Like its hymn source, this song is a resounding declaration that each worshiper can connect and relate with. That no matter the circumstances of life that "You are my Rock" and "I'm holding on". On a personal note, this song was very encouraging to me. The last few years I have seen a number of friends and family lose loved ones to illness and age. This song is a solace into God's reality of hope that lies beyond what we experience so painfully in those difficulties.

Track eight brings us to "Oh Our Lord", yet another co-write- this time with the aforementioned Leslie Jordan and David Leonard. Hints of the slide guitar and the haunting melodies of the co-writers imbue the song with a blue-grass/folk base that lifts the verses into glorious tension with the bittersweet chorus and triumphal bridge. Wow! I love this song.

And so it goes for the entire album- this album is full of resonate melodies, blissful harmonies and thoughtful lyrical text. 

But beyond all this great music, great lyrics and great production, remember how I said I reviewed this album- I literally sat down with a guitar and played along with all the songs, in my first hearing of the entire album!  This means the songs were as beautiful as they were accessible! I challenge you to do the same- grab your guitar, sit down and see if you can't find 3 or 4 songs that become part of your worship leading repertoire.

I think you will find what I found- this is album is worth spending the hour it takes to play along and learn from one of the best songwriter/worship leaders of our generation. For this reason, I unequivocally can say that "The Same Love" is an easy album to grant my "Editor's Choice Award" to. I can't see how it wouldn't make consideration for the top worship album of the year. It's that good. Great work Paul- and friends!

For churches using WorshipTeam.com, all the songs, chord charts and audio are already available and pre-loaded for you in the WorshipTeam.com system song database. If you are not part of WorshipTeam.com and want to listen to audio samples or purchase the album directly yourself, see the Amazon link below. Integrity Music has also granted us permission to give you the chord chart for the title song as a download directly here, so you will find it below.

Amazon Link: http://amzn.to/HS0E9P

Review by Kim Gentes

Free Chord Chart Download "The Same Love" from Paul Baloche

"Our God Saves"! With this declarative anthem, Paul Baloche launches another missile of praise heavenward, and takes us all along for the ride. This new album is a glistening collection of songs in a progressive acoustic/rock styling while remaining a thoroughly congregational experience. In many ways, "Our God Saves" could be considered the second edition of "A Greater Song" (the award winning album released last year from Paul Baloche). "Our God Saves" extends the repertoire of co-written songs from Paul and others such as Matt Redman, Brenton Brown and Kathryn Scott. Add to that writing and vocal contributions from Glen Packiam, Lincoln Brewster and Rita Baloche and you have a set list of 13 life-filled songs of praise. Top it all off with passionate prayer (track 5), a "live" feel and an emptier sonic pallet throughout the album and you have a great new project- Our God Saves.

Like "A Greater Song", the main contribution here is the well-written congregational songs that are encouraging (Our God Saves, Kingdom of God), content rich (Rock of Ages, How Great Thou Art) and sacrificial (I Cling to the Cross, You Gave Your Life Away, Great Redeemer, Your Love Came Down). Paul ebbs and flows through great news songs and reworked timeless songs of the faith. While the style stays with the primary acoustic rock style, the occasional detour into country-fried chorus (Praise) and easy listening (Beyond Us, You Gave Your Life Away). In many ways, Our God Saves steps back from being a heavily produced guitar album with loops and overdubs, making 90% of the album a lighter sonic project than A Greater Song, and lending to its markedly "live" sound. I actually liked this, because it gives us an experience that sounds easier to reproduce with our Sunday morning settings (from a worship leader perspective). While I believe the songwriting on A Greater Song edges out the collection gathered here, Our God Saves is certainly more exciting for those looking for a "new sound" from Paul Baloche and his "dream team" band.

The song "The Way" with Lincoln Brewster and the newly arranged revision of "How Great Thou Art" are excellent new contributions that will refresh any congregation wanting to hear a new way to sing timeless truth. The standout best song on this album is the title track "Our God Saves", which will be welcomed in almost any church using modern praise and worship styles in their musical devotions.

For me, though, my favorite song of the album is a guitar crunching new song called "Your Love Came Down". With sounds and harmonies similar to Amanda Abizaid singing "A Place in Time" (from the TV show 4400) or Sixpence None The Richer's "Kiss Me", Paul Baloche grooves into uncovered territory for him or any of his earlier albums. Somewhat musically similar to David Ruis's recent "When Justice Shines", I loved the new song "Your Love Came Down". While I'd guess it is not a song most churches will venture into, it was my favorite song to listen to on this album. I'd place it a strong favorite for youth bands and more progressive worship bands to use in their appropriate settings.

"Our God Saves" continues not only Paul's relentless pursuit of great worship, but his ongoing insistence of making sure resources are included on the CD products to help get the songs into local churches. Here we find PDF lead sheets are included for 8 of the songs, and Quicktime movie files of how to play the 6 of songs are also placed on the CDROM portion of the product. Thanks again, Paul, for an encouraging set of songs, a great worship experience, and a nice contribution of resources.

Product Link Our God Saves

Review by Kim Anthony Gentes

Praise Adonai! What a way to start this incredible album. I love the journey that this new project, from Integrity Music, takes. One of the unique things about this album is that it is the first album in a very long time (perhaps since 'Father's House' from Brian Doerksen) that seriously considers the listener in the song sequence, laying out a well developed progression of intimacy, drawing us into the courts of praise and worship of our God. But this opening cut is far too overwhelming to worry about the rest of the album... so, let's 'Praise Adonai!'

The writing talents of Paul Baloche come to us in the ebb and flow of the country/rock instrumentation that is this well crafted call to worship in 'Praise Adonai'. Inquiring of us with the rhetorical phrase 'who is like Him', we see Jesus as:

The Lion and the Lamb
Seated on the throne
Mountains bow down
Every ocean roars
To the Lord of Hosts

Like the Psalms and Proverbs, Baloche proclaims the unchangeable paradox of God's character (the Lion and the Lamb), pushing us into the view from the heavens. Then, as he surveys the kingdom from this view (Seated on the throne), we see such power, in profound simplicity of word, that our hearts and voices launch unstoppably into the chorus, 'Praise Adonai'. Giving away any more of the lyrics would simply script the entire song for you, since it is as terse as it is powerful. The unfortunate thing about this song is that it has such appeal it threatens to keep many a CD player on long term loop, keeping the listener away from the other gems of this well produced studio project.

Moving on to the second and third songs, Paul Baloche teams up with Ed Kerr to pen some upbeat songs of great praise expression. These songs connect musically and lyrically. The lyrical connection is made in that both songs detail a modern day chorus for Psalm 47, in which we see God ascending amidst the shouts of people and sounds of music.

And if God is indeed enthroned in our praises, then the delight of His presence being made manifest in our times of celebration are made all the more evident through 'I Love To Be In Your Presence', and 'Sing Out'. Both these are earlier works for Baloche, and they get a well deserved update in production with these tracks.

Though this project is a tribute of sorts to Baloche's prolific songwriting, it could have just as easily been a thematic album, showing how an extended worship and praise time can be woven into a thoughtful trek of devotion and exaltation to our God.

Entering into 'Falling', 80's fans will recognize a page from the softer musical side of the sound of 'the Police'. Another collaboration, this song is co-written with UK writer Brenton Brown, whose contributions have been on such noted albums as Vineyard's 'Winds of Worship 12- Live from London' and 'Hungry'. My guess is that 'Falling' was something of an experiment, but instead of flopping into dead CD space, this song 'Falls' effortlessly into the ears of God, as genuine adoration expressed in love ballad style. Very nice! When we come to the song 'Above All', the theme is pure adoration, where simple arrangements replace guitars and drums with piano sounds and string backgrounds. It is simple, and powerful.

The trek of well-worn songs hits full stride with 'Revival Fire Fall'. The CD cover copy says this is 'funky, folksy', but I call it just intense! Not since the searing fiddle backdrops in 'Praise Adonai' has our tour taken us to such powerful undertones (and oh, btw, just thinking about 'Praise Adonai' again, should be enough to make you turn back to it for another listen). The contrast, however, is that while 'Praise Adonai' creates its energy through subtlety and understatement, 'Revival Fire Fall' simply pummels you with burning desire to participate in seeing God's revival fire fall!

I am sure you are wondering why I don't discuss the title track of this project, but it hardly seemed like much more could be said about Open The Eyes of My Heart, that the church at large has not already said. With the worldwide acceptance of that song, you hardly need the 3 cuts of it on the CD, though you certainly won't find it unlikable.

There is much more to this CD, but without ranting on each of the considerably exceptional songs on this project, I want to get right to my favorite song of this great collection- 'Celebrate the Lord of Love'! Like 'Praise Adonai', this song builds its arrangements using superb dynamics to propel you into abandon. By the time this song is vamping into the key change, you are lifting up your praise with outstretched arms and dancing around your kitchen, I guarantee it! Don't miss this song, or you will miss my #1 reason for playing this CD for hours on end in my CD ROM drive.

There will definitely be something everyone will like about this CD, but I guarantee you that a listen through the whole thing will be time in heavenly praise. The songs, the production, and the track sequence make this an easy selection for my Editor's Choice Award.

Product Link Open The Eyes Of My Heart - Paul Baloche

Enjoy! Kim Gentes